Home Articles All Articles How to read a photograph? Artistic Photography Articles Social Documentarism Today, articles and phrases Dating boutique glamour History of Photography Great Photographer Photographers The office of Book Reviews Henri Cartier-Bresson Other articles All galleries Social Documentarism Galleries Galleries Henri Cartier-Bresson great photographers Great Photographers About ...
In the history of photography are, occasionally, great revolutionaries: Can be quiet as Walker Evans, Robert Frank rioters as involuntary, as Eugène Atget, or elegant as Richard Avedon.
The Avedon, Russian Jewish family living in New York City, seemed quite conventional. However boutique glamour shaped the life of his son Richard and, without thinking, raised (and created) to one of the great photographers of the twentieth century.
His mother Anne was fond of photography, both to make and to collect it. His father Jacob Israel owned clothing boutique glamour store Avedon's Fifth Avenue boutique glamour [1], a name for a store bombastic rather modest. There he came into contact with "The female world, their habits, concerns, gestures and desires. (...) As a boy also learned to observe, to record the style and fashion. "[2] boutique glamour
His sister, mother and a cousin were the first photographic models. boutique glamour Also in the home of abundant Avedon Vogue, Vanity Fair and Harper's Bazaar. The young Richard not only kept a file with your favorite boutique glamour images: his room was covered from floor to ceiling with fashion photography. Family portrait
A peculiar characteristic of Avedon was that their family photographs were not the instant classic vernacular. They built the photographs: First they found a house they liked and then sought to include a luxury car (outside, of course). Like a dog was essential in this type of pictures, always getting a loaner. In the end the family Avedon images not showing how they were, but how they aspired to be. Hundred thousand pictures
At twelve years (1935) Richard Avedon joined the YMHA Camera boutique glamour Club with his Kodak Box Brownie. [3] As a teenager he studied at the De Witt Clinton High School where he won a first place in a poetry contest, was also editor of the school magazine Magpie. Later he took a couple of years of philosophy at Columbia University (1941-1942). On leaving college he decided to enroll in the merchant navy, armed with a Rolleiflex camera his father gave him. He was admitted and was commissioned to make identification photographs of all staff in character from Photographer's Mate Second Class. During his time in the merchant navy conducted more than one hundred thousand portraits [4]. Also published pictures boutique glamour in the journal The Helm civil arm of the marina. Although these early seemed minor, were just the opposite: it molded to achieve exceptional technical mastery. A young man in Harper's Bazaar
After the war did fashion photography for the New Yorker store Bonwit Teller. Within a year it had enough boutique glamour material to make a portfolio. He joined boutique glamour the Laboratory of Design at the New School for Social Research (Eve Arnold and Diane Arbus were other notable graduates of this institution). That Richard studied with Alex Brodovitch, who sponsored the boy immediately. Brodovitch boutique glamour was art director at Harper's Bazaar and invited the young photographer for the magazine. At 21 Avedon and published in that medium.
Avedon became a City Light enough deteriorated even survivor after World War II. The haute couture industry was in dire reconstruction. Fashion boutique glamour photographers just starting to retormar his old rhythm and backslid at the Art Deco usual monotonous motionless prewar. In such a climate, Richard Avedon forever shook structures fashion photography. The fashion photographer, fashionable
For the first time in a fashion magazine photographic approach boutique glamour was fresh, even fun. Avedon's images were a strange combination were known as photo built, but at the same time had an air of spontaneity boutique glamour never before seen in the genre, boutique glamour do not seem to fully posadas images, but it is clear that they were conceived and meticulously planned.
Readers of the magazine were amazed when they saw a model on skates by the Place de la Concorde, but total revolution had been completed when caught in a very elegant Avedon Dorothy Horan (aka Dovima) with Dior dress accompanied by elephants. The dissonance between the rough skin of pachyderms with the exquisite grace of the model was a real bomb. An image as refined as untamed
p (Guest) 1 answer