self-deception, and a thick soup siidisukkade | Susapesa's Weblog
Marianne Kõrver name, just in case I decided to mälusoppi store is a year ago, when I was deeply moved by the film's portrait of Erkki-Sven from the tour. Fine restrained language film photos of the author gave evidence of nerve sensitive visuals when handling urgent and in-depth, from trying to understand, but their intimacy, not pushy approach of the portrait subjects. tan tan club bucuresti Paid a deposit of: all Kõrver strengths are also found expression in his lavastajadebüüdis "Madame Bovary" Von Krahl theater stage. It is rich with enchanting visuals tan tan club bucuresti (the artist Johnson & Johnson), the precise role of the thoughtful text and drawings. But most importantly - is deeply wrong dismantled, with conscious, filtered Flaubert'i quintessence of romance. With the staging and presentation is a bit shaky and uncertain, it can be forgiven, tan tan club bucuresti because the idea of it.
19th century French provincial realism rather than the 21st century Tallinn its topographical and social reality. It is closer tan tan club bucuresti to the Tallinn province tan tan club bucuresti or city, is another major topic of discussion. Anyway, both are one or the other anyway narrow Emma dreams, which are found only in the vastness tan tan club bucuresti enough words and between words - be it the author of the words of Baudelaire, tan tan club bucuresti or Õnnepalu Pessoa. Our business: Baudelaire, Pessoa and Õnnepalu - a system still in alphabetical order, still drifting ever further from the reality of the system. Drifting where the swans are fed chilled salmon, taxis sail "free" and "bread is, after all, everywhere." Emma added to the co-arranged time and all of his character and the story of post-modern neuroses tan tan club bucuresti klantsajakirja yellow coloration. But what truly makes Emma Emma is caught off Flaubert'i novel and sufficiently humane and universal, to withstand the shifts in time, but - why not - the swamp and the number. Real life, real romance, real tundepeenus is somewhere else, believes Emma and her ulmad him out there anywhere else the bear. But the inevitable destruction of the book to try to ensure uneletud dreams become reality kokkuklapitama. Through the ins and outs of the lofty romantic Emma does not make the end, nothing other than the living and klišeelikumat banaalsemat story at all: unavailable desires heels of his family, and self-ruination to subvert.
But Kõrver is too intelligent and too tactful to Emma unequivocally condemned. Who does not dream of a better life, did not believe in himself lie undiscovered genius, would not want to forget the whole communication material tan tan club bucuresti and financial world. It does not show that in the same way as drudges waved a finger noomivalt unelejate tan tan club bucuresti than half. The piece itself tan tan club bucuresti is like a dream from avastseeni antiigihõngulise kümblemisega and wicked lokaaliga (Woland Ball), culminating - mixes surreal eroticism and Chagall airiness. Dreams of intersecting sharply asised-worldly tan tan club bucuresti characters (the psychologist, the collection represented, even Emma's husband), which occurs by comparing the absolute world elukaugus Emma. On the one hand, would like to see a woman's existence from dream to shake and forced to notice the real world. Until one day at her - Emma - in front of us and speaks coldly, emotsioonitult and unadorned affair of his, which has not materialized grammigi romantic literatuursust. tan tan club bucuresti At that moment, Emma sorely here, two feet on the ground. He realized how little he dreamed of grace in these stories tundepeenusest have materialized or are they also become kirjanduliku, say the naturalistic novel, the seal?
The audience did not let ourselves be abolished Emma world, will not be allowed to forget that this phenomenon, which illustrates the extreme utreeritult distancing themselves from the real world. This remind us of some of Emma's self-phrases, scenes called real-life representatives, however, show the strongest support group in the last quarter of the scene. Hooded jackets and trolley travel stories contrasting across tan tan club bucuresti Emma's world (bogus) tan tan club bucuresti glamor and carefree mixed, scene slowness and illusoorsusetus will test viewers' patience: who is able to think along with and scene performance as a whole within the framework of sense, for whom the whole and the idea spot disintegrate tends.
Mari Abel ranges from high heels, tan tan club bucuresti but can not be shaken nor disproved art delicate, refined feelings Madam Bovary outlandish performances. Sort of a reverse madonna - seems to elukauguses almost solemn, the world located outside. While the poor are not complete, the whole production is based, precisely, Abel became a force in the iron Emma incarnation. This is a solo, Emma world of expression, which is seconded by other characters but tastefully, and the reference system will create.
The URI to TrackBack this entry is: https://susapesa.wordpress.com/2011/04/22/enesepettus-siidisukkade-ja-tihke-supiga/trackback/
MTWTFSn April 2011 March May 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Headings: ars longa! Lit.
Marianne Kõrver name, just in case I decided to mälusoppi store is a year ago, when I was deeply moved by the film's portrait of Erkki-Sven from the tour. Fine restrained language film photos of the author gave evidence of nerve sensitive visuals when handling urgent and in-depth, from trying to understand, but their intimacy, not pushy approach of the portrait subjects. tan tan club bucuresti Paid a deposit of: all Kõrver strengths are also found expression in his lavastajadebüüdis "Madame Bovary" Von Krahl theater stage. It is rich with enchanting visuals tan tan club bucuresti (the artist Johnson & Johnson), the precise role of the thoughtful text and drawings. But most importantly - is deeply wrong dismantled, with conscious, filtered Flaubert'i quintessence of romance. With the staging and presentation is a bit shaky and uncertain, it can be forgiven, tan tan club bucuresti because the idea of it.
19th century French provincial realism rather than the 21st century Tallinn its topographical and social reality. It is closer tan tan club bucuresti to the Tallinn province tan tan club bucuresti or city, is another major topic of discussion. Anyway, both are one or the other anyway narrow Emma dreams, which are found only in the vastness tan tan club bucuresti enough words and between words - be it the author of the words of Baudelaire, tan tan club bucuresti or Õnnepalu Pessoa. Our business: Baudelaire, Pessoa and Õnnepalu - a system still in alphabetical order, still drifting ever further from the reality of the system. Drifting where the swans are fed chilled salmon, taxis sail "free" and "bread is, after all, everywhere." Emma added to the co-arranged time and all of his character and the story of post-modern neuroses tan tan club bucuresti klantsajakirja yellow coloration. But what truly makes Emma Emma is caught off Flaubert'i novel and sufficiently humane and universal, to withstand the shifts in time, but - why not - the swamp and the number. Real life, real romance, real tundepeenus is somewhere else, believes Emma and her ulmad him out there anywhere else the bear. But the inevitable destruction of the book to try to ensure uneletud dreams become reality kokkuklapitama. Through the ins and outs of the lofty romantic Emma does not make the end, nothing other than the living and klišeelikumat banaalsemat story at all: unavailable desires heels of his family, and self-ruination to subvert.
But Kõrver is too intelligent and too tactful to Emma unequivocally condemned. Who does not dream of a better life, did not believe in himself lie undiscovered genius, would not want to forget the whole communication material tan tan club bucuresti and financial world. It does not show that in the same way as drudges waved a finger noomivalt unelejate tan tan club bucuresti than half. The piece itself tan tan club bucuresti is like a dream from avastseeni antiigihõngulise kümblemisega and wicked lokaaliga (Woland Ball), culminating - mixes surreal eroticism and Chagall airiness. Dreams of intersecting sharply asised-worldly tan tan club bucuresti characters (the psychologist, the collection represented, even Emma's husband), which occurs by comparing the absolute world elukaugus Emma. On the one hand, would like to see a woman's existence from dream to shake and forced to notice the real world. Until one day at her - Emma - in front of us and speaks coldly, emotsioonitult and unadorned affair of his, which has not materialized grammigi romantic literatuursust. tan tan club bucuresti At that moment, Emma sorely here, two feet on the ground. He realized how little he dreamed of grace in these stories tundepeenusest have materialized or are they also become kirjanduliku, say the naturalistic novel, the seal?
The audience did not let ourselves be abolished Emma world, will not be allowed to forget that this phenomenon, which illustrates the extreme utreeritult distancing themselves from the real world. This remind us of some of Emma's self-phrases, scenes called real-life representatives, however, show the strongest support group in the last quarter of the scene. Hooded jackets and trolley travel stories contrasting across tan tan club bucuresti Emma's world (bogus) tan tan club bucuresti glamor and carefree mixed, scene slowness and illusoorsusetus will test viewers' patience: who is able to think along with and scene performance as a whole within the framework of sense, for whom the whole and the idea spot disintegrate tends.
Mari Abel ranges from high heels, tan tan club bucuresti but can not be shaken nor disproved art delicate, refined feelings Madam Bovary outlandish performances. Sort of a reverse madonna - seems to elukauguses almost solemn, the world located outside. While the poor are not complete, the whole production is based, precisely, Abel became a force in the iron Emma incarnation. This is a solo, Emma world of expression, which is seconded by other characters but tastefully, and the reference system will create.
The URI to TrackBack this entry is: https://susapesa.wordpress.com/2011/04/22/enesepettus-siidisukkade-ja-tihke-supiga/trackback/
MTWTFSn April 2011 March May 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Headings: ars longa! Lit.
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